Datingstartpagina com

11 Jul

In another essay in the book, titled "The Generic City", Koolhaas declares that progress, identity, architecture, the city and the street are things of the past: “Relief … Critics of the books have criticised Koolhaas for being cynical – as if Western capitalism and globalization demolish all cultural identity – highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop".

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For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure.

His father strongly supported the Indonesian cause for autonomy from the colonial Dutch in his writing.

When the war of independence was won, he was invited over to run a cultural programme for three years and the family moved to Jakarta in 1952.

"It was a very important age for me," Koolhaas recalls "and I really lived as an Asian." He then was a journalist for the Haagse Post before starting studies, in 1968, in architecture at the Architectural Association School of Architecture in London, followed, in 1972, by further studies with Oswald Mathias Ungers at Cornell University in Ithaca, New York, followed by studies at the Institute for Architecture and Urban Studies in New York City.

Koolhaas first came to public and critical attention with OMA (The Office for Metropolitan Architecture), the office he founded in 1975 together with architects Elia Zenghelis, Zoe Zenghelis and (Koolhaas's wife) Madelon Vriesendorp in London.